In an interview with Michael Kindler

AP: It seems that now you've discovered the color and painting at the moment with a brush and canvas as it began. On the other hand, ceramic sculptures, why? MK: That's a good question, I've been working on it and really see it as a necessary consequence of what I've previously made. One can not consider my work in isolation. One is always in a process context. I am interested in processes. That's what I like in the picture somehow. The painting has more. Just the fact that a picture is always as unique, fascinates me. I think that photography as an artistic work has no meaning that mattered in the 80's. One of the reasons why I started again with paint. MK: The phenomenon of space as a theme is very long while, in theory, I have a number of references that I have encountered. It has created a line of work I enter as comments. Previous studies often have combined media, eg photographic works with installations and murals. For me it was a need to connect to the room. The content of thematic work is one thing and the relationship with space is different. Balance is an act that an artist must master. It is crucial to the overall effect tiempo.Se can say that I find a lab, I'm interested in investigación.Soy curious. Moreover, my interest is in fact working at the facility, from the viewpoint of the topics covered in the photograph, and the issues of painting and sculpture. It's a different medium. Another form of communication there is in painting, sculpture and other forms of expresión.Hay algo.En another way to visualize the painting I like, for example, the strong personal relationship. In the interest of the artisan sculpture in proceso.Creo that works that you can talk about the work that we see. AP: That sounds interesting, you reinterpreted, so to speak, in terms of painting? Often speaks of the laboratory experiment and what do you mean, and how you look with tradition? MK: As I was born in Germany, Europe is, without doubt, the tradition to do things, as opposed to someone who comes from America, Asia or the Arab world. There are other traditions, such vez.Creo that much experimentation, I would say that is my tradition, a tradition of experimentation. AP: Thanks for the interview ........

MICHAEL D Kindler MIC NIC

Prenzlau born 1974, Germany

Lives and works in Berlin, Germany and Marseilles, France

Education

1994 - 2002
Lucerne School of Design
Royal College of Art, London
University of the Arts Berlin
Masters in the class of Lothar Baumgarten

Solo Exhibitions

2004

Michael Kindler
Exterior Mount Gallery - Warning
2005
"Nella notte Neon"
Goethe-Institut Mailand

Group Exhibitions

1997

"Berlin - Bologna
Baraccano, Bologna,
Tower Television in Berlin, Berlin,


1999

"Look," Waylandhouse, London,

2003

Hotel Berlin Gallery
in the old glass storage, Berlin,

2004

Steps Cube
Magistral, Berlin,

2005

At night, neon, Goethe Institute, Milano


2006

Mixed Hypnos
with Matthew Burbidge, Isabelle Krieg, Oliver Croy, Sarah Schoenfeld, Sencer Vardarman

Project Room meat Café Moskau, Berlin,

2008/2009

Artport Interwelt Gallery and Gallery / Berlin